PeriodIndex

The south side of the choir clerestory at Bourges Cathedral contains a remarkably complete early-Gothic cycle of New Testament figures, created between about 1200 and 1225. These tall, independent lancets depict apostles and evangelists in a unified iconographic programme, forming a deliberate counterpart to the Old Testament prophets on the north side of the choir.

The only New Testament figures not on the south side are those in the apex window, w.200 - the Virgin and Child with St Stephen — which stand on the north side and serve a special liturgical and dedicatory function.

Saint Matthew

Window 208 forms part of the distinguished apostolic cycle that runs around the clerestory of Bourges Cathedral. It presents three standing apostles in individual lancets: St Bartholomew on the left, St Matthew in the centre, and St Simon on the right. Each is set before a deep blue background and surrounded by the richly coloured geometric border characteristic of the Bourges glazing workshop in the early thirteenth century.

St Thomas

Window w.206 forms part of the major early 13th-century glazing programme of the choir clerestory at Bourges Cathedral. Like the other apostolic lancets in this zone, it presents three full-length apostles standing beneath architectural canopies, each framed by the characteristic red–blue geometric borders of the Bourges workshop. The style, palette, and facial types align closely with the glazing campaigns dated to c.1210–1215.

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