Knightley Tomb, Fawsley - Northamptonshire
Freestanding tomb to Sir Richard Knightley (d1534) and his wife Jane Skenard.
PeriodIndex
Prior Moore - Worcester Cathedral
Situated behind the main altar in Worcester cathedral this effigy is said be that of William Moore (1518-1536), the prior of the Benedictine Priory of St Mary's Worcester.
Donors - Stanford on Avon, Northamptonshire
The roundels are late C15 to early C16. The figures of the donor family are mid C16 and probably come from Stanford Hall.
Thomas and Agnes Andrewes Brass - Church Charwelton, Northamptonshire
Thomas Andrewes shown in armour and bare headed, whilst his wife Agnes wears a huge head-dress and the long hanging sleeves fashionable at the time.
Scenes from the life of St. Peter - Saint-Étienne de Beauvais
This window in Saint-Étienne de Beauvais, is dated 1548 and i9s signed by Nicolas le Prince. It contains three scenes from the life of St Peter, and the conversion of St Paul on the Road to Damascus.
Decapitation of John the Baptist - Saint Romain-sur-Cher
The church at Saint Romain sur Cher was rebult in the C16 and restored in the C19. The north and south walls of the apse are painted with scenes of the Decapitation of John the Baptist and the Baptism of Christ on the north wall, and on the south wall is the Resurrection. Both of these paintings were restored in 1859.
The Life of St Vincent - Abbey Church of Saint-Ouen, Rouen
This window (c1550) illustrates episodes from the martyrdom of St Vincent of Saragossa, one of the most widely venerated deacons of the early Church. Created by a Rouen atelier in the early sixteenth century, the glass adopts the familiar layout of the Saint-Ouen narrative series: scenes arranged beneath richly architectural Gothic canopies, each panel presenting a distinct moment from the saint’s Passion.
Composite Window - Stoning of St Stephen and Martyrdom of St Catherine
This window is a composite assembly combining fragments of sixteenth-century stained glass with nineteenth-century architectural structures and extensive twentieth-century restoration. The present arrangement consists of five tall lancets surmounted by a unified canopy system reconstructed in 1852, with bases and pedestals also installed at that time.
The Life of St Agnes - Abbey Church of Saint-Ouen, Rouen
This window (c1550) presents a sequence from the Life and Martyrdom of St Agnes, the young Roman virgin celebrated for her steadfast refusal to accept a pagan suitor and her unwavering confession of faith. Produced by a Rouen workshop in the early sixteenth century, the window follows the typical Saint-Ouen format: narrative scenes set beneath tall Gothic canopies, framed by alternating architectural and landscape elements.
Unidentified Saint Composite Window - Abbey Church of Saint-Ouen, Rouen
This window (c1550) is a composite assemblage combining fragments of sixteenth-century narrative glass with nineteenth-century architectural framing and extensive twentieth-century restoration. The programme appears to have depicted episodes from the life of an unidentified saint. According to Jean Lafond, one of the surviving scenes may represent the translation of relics, suggesting a cycle related either to Saint Ouen or Saint Leufroy. The identification, however, remains uncertain due to the fragmentary nature of the surviving iconography.