Henry Denton (1498) chaplain of Chelveston, a small village near to Higham Ferrers.
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Lord John Cheney (d1499) was a Lancastrian supporter who in 1483 had supported the Duke of Buckingham's rebellion against Richard III. When Buckingham's rebellion failed he joined Henry Tudor in Brittany and returned with him from France in 1485.
18 inch high brass figure of a lady (c1500).
These pages document medieval stained glass in the churches of Rouen.
This funerary monument depicts Don García Osorio, a knight of the Order of Santiago, shown in repose with hands crossed upon his sword, a symbol of both chivalric honor and Christian faith. Carved in Toledo (1499-1505), probably by a sculptor influenced by Egas Cueman or Sebastián de Almonacid.
Some of the 16th century and earlier stained glass that can be found in Beauvais France. In particular the works of the le Prince family in Beauvais Cathedral and the parish church of St Ettiene.
This group of eleven relief panels form part of the carved vault decoration of a sacristy bay at the Royal Abbey of Fontevraud. Executed in a soft, chalky limestone typical of the Loire region, the panels combine biblical narrative scenes with hagiographic episodes from the Life of St Nicholas and include one figure of architectural patronage.
Effigy of Donna Maria de Perea wearing a simple dress and with rosary in her hands.
In the 16th century (c. 1500–1600), church monuments transitioned from late Gothic to Renaissance styles amid the Reformation (1530s onward). Brasses dominated for the middle classes; alabaster tombs for elites. Meanwhile religious upheaval reduced overt Catholic imagery.
These panels from the 'Magnificat' window (1501) at Malvern Priory depict the Archangel Michael on the left. On the top right is Jesus ascent into Heaven, whilst the bottom right panel shows the damned descent into hell.