This third sequence of sculpture on the choir screen, starting at the western end of the south ambulatory, is the work of Jehan Soulas from 1521-1535. Sculpted from the hard limestone from the Tonnerre quarry, this consist of scenes depicting the Nativity, Circumcision, and Epiphany.
The Sacred Heart Chapel in Beauvais Cathedral contains this stained glass window by Engrand le Prince. It was commissioned in 1522 by Louis de Roncherolles chamberlain and councillor to Francis I of France.
This Tree of Jesse (1522) in St-Étienne, Beauvais is considered to be one of the major works of Engrand Le Prince. Unfortunately the lower part of the window was destroyed in 1793 (year II of the Republic), when the church was used as a store house.
These polychrome reliefs in Amiens cathedral are of Jesus Cleansing the Temple. They were donated in 1523 by Jean Wytz and are on the west wall of the north transept.
This tomb, dedicated to Niccolò Machiavelli (d1527), was created by Spinazzi Innocenzo in 1787, and is in Santa Croce Florence.
Tracery lights containing the Arms of Henry VII and Catherine of Aragon.
Three Sibyls east window: Persica, Europa, and Samia. St. Peter Coughton.
The choir stalls of the collegiate church of Saint-Jean-Baptiste at Montrésor form one of the most eloquent ensembles of Renaissance woodcarving in Touraine. They were made around 1530-1540, when Imbert de Batarnay, seigneur of Montrésor and counsellor to four French kings, endowed the new collegiate foundation he had created in 1521.
The Crucifixion window in the Church of Saint John the Baptist at Montrésor, in the Indre-et-Loire region of France, is one of the finest surviving examples of early sixteenth-century stained glass in the Loire Valley. Filling a tall Gothic lancet divided into several vertical lights, it unfolds as a vivid narrative of the Passion of Christ, rendered in rich Renaissance color and form.
