Started in 1515, and completed in 1525, this tomb is the work of the Roullant Le Roux, Rouen cathedral's master mason of the time. It is a memorial to the French cardinal and archbishop of Rouen George d'Amboise (d1510), the other figure is his nephew George d'Amboise (d1550) who became archbishop of Rouen on his uncle's death.
This tomb in the South choir contains the effigy of Bishop Richard Mayew (d1516) under an elaborate canopy, and with weepers around the base. The weepers are thought to represent saints and were damaged during the reformation.
Above the choir screen at Chartres Cathedral are some 40 sculpted reliefs of biblical scenes, and other scenes from the life of the Virgin Mary. The scenes were sculpted by some of the best artists in France and were commissioned at different times over a 200 year period from 1510 to 1720.
Brass of Thomas Knightley (1516).
The first sequence of sculpture around the choir screen, starting at the western end of the south ambulatory, is the work of Jehan Soulas from 1519-1521. Sculpted from the hard limestone from the Tonnerre quarry, they consist of scenes from the Gospel of James, depicting the annunciation of the Virgin Mary to Joachim and St Anne, the birth of Mary, and the presentation of Mary in the temple.
This second sequence of sculpture on the choir screen, starting at the western end of the south ambulatory, is the work of Jehan Soulas from 1520-1535. Sculpted from the hard limestone from the Tonnerre quarry they consist of scenes from the Gospel of James, depicting the marriage of the Virgin Mary to Joseph, the annunciation, and the visitation.
This third sequence of sculpture on the choir screen, starting at the western end of the south ambulatory, is the work of Jehan Soulas from 1521-1535. Sculpted from the hard limestone from the Tonnerre quarry, this consist of scenes depicting the Nativity, Circumcision, and Epiphany.
Set within the tracery lights of the great east window at St Peter’s, Coughton, these panels form part of a distinguished group of Tudor heraldic glass. At the centre are the royal arms of Henry VIII, impaled with those of Catherine of Aragon, enclosed by the initials H and K and surrounded by the Tudor emblems of the rose, portcullis, and crown. The inclusion of Catherine’s arms confirms that the glass was installed before the annulment of their marriage in 1533, most likely during the first decade of Henry’s reign.
The Sacred Heart Chapel in Beauvais Cathedral contains this stained glass window by Engrand le Prince. It was commissioned in 1522 by Louis de Roncherolles chamberlain and councillor to Francis I of France.
This Tree of Jesse (1522) in St-Étienne, Beauvais is considered to be one of the major works of Engrand Le Prince. Unfortunately the lower part of the window was destroyed in 1793 (year II of the Republic), when the church was used as a store house.
