The central tympanum of Chartres Cathedral’s west façade, carved around 1150, portrays Christ enthroned in a mandorla during the Last Judgment. Seated frontally with right hand raised in blessing and left holding the Book of Life, he is encircled by the four evangelical symbols: the angel (Matthew), lion (Mark), ox (Luke), and eagle (John). These winged figures underscore his divine authority and the Gospels’ testimony. Below, on the lintel, the twelve apostles stand in two rows of six, each bearing a scroll or book, symbolizing their role as witnesses and judges (Matthew 19:28).

The central doorway at Notre-Dame Paris, was sculpted starting in about 1230. It consists of Christ in Majesty (showing the marks of the Crucifixion) with the Virgin Mary and St John on either side of him. This was a common scene to be sculpted on Medieval Gothic churches, and other examples exist at Bourge, and Chartres, amongst others.

The facade of the San Frediano Basilica in Lucca is dominated by this late 13th century mosaic of Christ in Majesty designed in the Byzantine style by Berlinghiero Berlinghieri. The Christ figurew flanged by angels is seated above the twelve apostles.

Detail from Buonamico Buffalmacco's Last Judgement in the Camposanto Pisa. This fresco is dated between 1336 and 1341, and is being restored following the destruction during WW2. The section shown here shows both Christ and the Virgin Mary sitting on rainbows, each within a mandorla, and below them are angels blowing trumpets.

This 15th century wall painting is in the church of Notre-Dame in Lye France.