This window in the St Anne Chapel, Malvern Priory, has twelve scenes depicting the Creation story and the Fall. It is dated to between 1440-1450 and was probably the gift of Isabel Despenser and Richard de Beauchamp, 13th earl of Warwick.
The middle register of the window illustrate the creation of Adam and Eve, the Forbidden Fruit, and the Fall.
This window in the St Anne Chapel, Malvern Priory, has twelve scenes depicting the Story of Noah and the Flood, and birth of Isaac. It is dated to between 1440-1450 and was probably the gift of Isabel Despenser and Richard de Beauchamp, 13th earl of Warwick.
The middle register of the window shows four scenes from the story of Noah following the flood.
This window in the St Anne Chapel, Malvern Priory, has twelve scenes depicting the Creation story and the Fall. It is dated to between 1440-1450 and was probably the gift of Isabel Despenser and Richard de Beauchamp, 13th earl of Warwick.
The four panels in the bottom register of the window illustrates the expulsion from Eden.
St Anne Chapel in Great Malvern Priory is in the south choir aisle, there is no indication however that it was known to be dedicated to St Anne before the nineteenth century. This chapel has three windows with mid fifteenth century class depicting Old Testament stories.
Cell 39 on the second floor of the San Marco convent was reserved for Cosimo de Medici. The fresco on the wall is the Adoration of the Magi by Benozzo Gozzoli.
Crucifixion fresco (1441-2) by Fra Angelico in cell 38 on the second floor of the San Marco convent.
Louis of Luxemboug (d1443). Brother of the governor of Paris who sold Joan of Arc to the English.
High up in the clerestory of the north wall of the chancel, are a sequence of medieval stained glass panels documenting the legend and founding of the priory at Great Malvern.
At Yelvertoft Northamptonshire is the tomb of John Dycson, who served as rector of Yelvertoft from 1439 to 1445, is a fine example of 15th-century English funerary art in the Perpendicular Gothic style. The monument consists of an alabaster effigy resting upon a low tomb chest, its sides richly decorated with panels of quatrefoils and other intricate tracery characteristic of the period.
Alabaster tomb of Sir John Cressy (d1445) Dodford, Northamptonshire. The sides of the tomb chest have angels holding shields, and the offices he held in France are listed around the top edge.
