Crucifixion Fra Angelico - Chapter House, San Marco, Florence
This crucifixtion fresco (1441-1442) is by Fra Angelico ⓘ in the Chapter House of the San Marco monastery in Florence.
15th century
Crucifixion Frescoes by Fra Angelico - Cells San Marco Florence
Crucifixion frescoes by Fra Angelico ⓘ in the monk cells at San Marco monastery in Florence. These images are mainly in the cells for novices and were painted between 1438 and 1443 by Fra Angelico and his apprentices.
Crucifixion with Saints and Virgin (cell 38)
Crucifixion fresco (1441-2) by Fra Angelico ⓘ in cell 38 on the second floor of the San Marco convent.
Death of the Virgin - Lady Chapel Evreux
This stained glass window (1467-1469) in the south wall of the Lady Chapel at Evreux Cathedral, depicts the Death of the Virgin Mary ⓘ in the upper registers.
Don Garcia de Osorio Effigy - Toledo, Spain
This funerary monument depicts Don García Osorio, a knight of the Order of Santiago, shown in repose with hands crossed upon his sword, a symbol of both chivalric honor and Christian faith. Carved in Toledo (1499-1505), probably by a sculptor influenced by Egas Cueman or Sebastián de Almonacid.
Donatello
Active: c. 1408–1466
Donato di Niccolò di Betto Bardi, known as Donatello, was one of the most innovative sculptors of the early Italian Renaissance. Active primarily in Florence, he transformed sculpture through radical naturalism, psychological intensity, and technical experimentation in marble, bronze, wood, and relief. His work broke decisively with late Gothic conventions and redefined the representation of the human figure, establishing sculptural languages that shaped Renaissance art in Italy and beyond.
Donna Maria de Perea Effigy - Toledo, Spain
Effigy of Donna Maria de Perea wearing a simple dress and with rosary in her hands.
Donor and Virgin Panels
This window forms part of the Christological and donor cycle completed around 1467, stylistically linked to the Annunciation and Adoration of the Magi panels. The work is attributed to the Bourges Cathedral workshop, likely under Jean Lécuyer or André Robin, maîtres verriers active 1460–1475.
Easter Sepulchre - Neufchâtel-en-Bray, France
This, late 15th–early 16th century, Easter Sepulchre group depicts the moment of Christ’s entombment, a subject traditionally shown in Holy Week rituals in northern France and the Low Countries. The scene is arranged beneath a shallow architectural canopy, gathering together the key figures who, according to the Gospels, prepared Christ’s body for burial.
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