Dating from between 1325 and 1339, this exquisite panel of medieval stained glass depicts Saint Andrew and forms part of the clerestory windows of the Church of Saint-Ouen in Rouen, France. It stands as a testament to the artistry of early 14th-century glassmakers, whose craftsmanship transformed divine figures into radiant visions of light and color.
Themed images for Saint-Andrew.
Dating from between 1330 and 1350, this luminous image of St Andrew adorns the chancel of St Nicholas Church in Stanford-on-Avon, Northamptonshire. The stained glass, a surviving treasure of early 14th-century craftsmanship
This panel forms part of the fine brass monument commemorating Laurence St Maur (d1337), a work of delicate medieval craftsmanship and deep devotional symbolism. At its centre stands the figure of Abraham, robed in solemn majesty. His right hand is raised in benediction, bestowing a gesture of eternal peace, while in his left he holds a globe — a symbol of divine dominion and the heavenly kingdom to which the faithful soul ascends.
Stained-glass panels, dating from around 1475 to 1480, depict Saint Andrew and Saint John the Evangelist. They form part of the lancet windows that stand beneath the great rose window in the south transept of Évreux Cathedral, a radiant example of late medieval glass painting at the threshold of the Renaissance.
Medieval stained glass depicting six of the twelve apostles at Great Malver Priory.
From left to right are Saint Thomas, Saint James the Greater, Saint Peter, Saint John, Saint Andrew, and Saint Philip.
This luminous stained-glass panel, dating from around 1520, depicts the martyrdom of St Andrew, the apostle bound to the diagonal cross that bears his name. It forms part of the rich glazing cycle of Évreux Cathedral, where the expressive language of late Gothic art meets the emerging sensibilities of the Renaissance.
This exquisite stained glass window, crafted in 1548 by Nicolas Le Prince, captures the moment of divine calling, Jesus summoning the brothers Peter and Andrew to follow him. A masterpiece of the French Renaissance, it adorns the Church of Saint-Étienne in Beauvais, radiating both spiritual intensity and artistic refinement.
This small, delicately painted glass panel depicts St Andrew, shown holding the diagonal cross of his martyrdom. Set within a simple border of deep red and green, the figure stands against clear glass through which the surrounding trees and daylight shimmer, a quiet dialogue between sacred image and the natural world beyond.
This low-relief sculpture, dating to 1714, depicts the martyrdom of Saint Andrew and adorns the church of San Gaetano in Florence. Executed with remarkable sensitivity and dramatic force, the work captures the moment of the apostle’s final submission to his fate
These four stained-glass panels, created by the renowned Victorian firm Clayton and Bell, adorn the clerestory of the quire in Gloucester Cathedral. Set beneath graceful Gothic canopies, they depict four of the apostles, St Peter, St John, St James the Greater, and St Andrew, each rendered with the luminous colour and devotional precision characteristic of the High Victorian Gothic Revival.
This depiction of the "Feeding the 5000" was installed in 1888 in Tewkesbury Abbey by John Hardman and Company. The boy presents the loaves and fishes whilst St Andrew points to him, and St Philip stands on the right.
A striking mid-20th-century mosaic from the Basilica of St Thérèse in Lisieux depicts Saint James the Greater and Saint Andrew, rendered in a style that unites modern abstraction with ancient symbolism.