Hardman representation of Jesus appearing to Mary of Magdalene at the tomb (John 20:17).
England
A substantial body of medieval stained glass survives at Great Malvern Priory, although its condition and completeness vary considerably from window to window. Several major fifteenth-century windows remain largely intact, most notably the Magnificat Window, the Founder’s Window, and the glazing of the Lady Chapel. Elsewhere, survival is more fragmentary: the great east window, though once a dominant feature of the church, now survives largely in dispersed panels and fragments rather than as a complete scheme.
St Nicholas parish church in Stanford on Avon, Northamptonshire, contains a large amount of stained glass dating from c1330 - 1540. The early glass contains images of Saints and Bishops, whilst the later glass contains Netherlandish roundels, and images of the Cave family that were the donors.
Situated in the east window of the south aisle, of the church of St Peter and St Paul, Maidford, Northamptonshire, this stained-glass memorial commemorates Arthur William Grant, who died on 19 December 1878, aged fifty-five. The window was installed circa 1880, by John Hardman & Co. of Birmingham, whose workshop was among the foremost exponents of the Gothic Revival style.
Alabaster tomb effigy of Sir Michael Poulteney (d1567).
These two windows by Tom Denny, are inspired by Psalm 36, and were installed in Great Malvern Priory in 2003.
Baroque style monument to Edmund Varney (d1879).
Brass monument to Moses Macham (d1712).
Above the Lavatorium at Gloucester Cathedral, these Hardman windows from 1868 depict a number musical angels.
Hardman & Co representation of the Nativity
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