In the 13th century (c. 1200–1300), church monuments were effigial tombs, cross slabs, and early brasses, emerging as Gothic art replaced Romanesque. They focused on piety, feudal status, and intercession, with stiff, symbolic figures.
Index of Romanesque %2
The portal of St Anne on the right of the western façade was built in 1200 and is the earliest of the three portals to be built. The tympanum is actually dated to about 1150 and was once part of the earlier cathedral of St. Stephen whose western façade was once 40 metres to the west of the present Cathedral.
Tomb of Richard I of England (d1199). This is one of three tombs to Richard I, this one is said to contain his heart, his entrails were buried in Châlus (where he died), and the rest of his body was buried at the feet of his father, Henry II, at Fontevraud Abbey in Anjou.
Tomb of Eleanor of Aquitaine (d1204) at Fontevraud Abbey in France. Eleanor was first married to Louis VII of France, and had two daughters by him. However, they divorced in March, and in May of the same year, she married Henry of Anjou the future Henry II of England
Bishop of Worcester 1218-1236. The effigy on the tomb is in the Romanesque style and lacks the detailed modelling that would become the hallmark of Gothic sculpture.
Sequence of 13th century wall painting from the in the nave of St. Albans Cathedral show scenes from the life of the Virgin Mary.
A common subject painted in medieval churches where scenes of the "Last Judgment" or "Doom". Often they would be painted above the chancel arch. A central figure of risen Christ with the instruments of the passion would be painted, or a crucifixion with the Virgin Mary and St John the Evangelist.