Painted Clock - Raunds
The painted clock a reminder of the passing of time ones mortality and the Last Judgment.
The painted clock a reminder of the passing of time ones mortality and the Last Judgment.
This two-light window, executed by Kempe & Tower in 1921, depicts the Presentation of Christ in the Temple, a subject long favoured by the firm for its devotional clarity and balanced figural grouping.
Left-hand light:
The Virgin Mary ⓘ is shown kneeling in prayerful humility, her posture inward and composed. Behind her, attendant figures are arranged beneath an architectural canopy, reinforcing the Temple setting and providing depth without distracting from the principal action.
This "Presentation in the Temple" scene by Clayton and Bell shows Mary and Joseph bringing two doves as offerings to the Temple at the time of Mary's Ritual Purification.
This three-light window combines New Testament narrative, apostolic witness, and charitable action, presenting a coherent theological programme centred on compassion, incarnation, and the transmission of faith.
East window by Kempe c1907.
Full length figure brass of Sir Richard Catesby 1553, wearing tabard with Catesby Arms.
Monument to Richard Cave, kneeling within an arched canopy on top of a tall pedestal, all surmounted with an obelisk
Sculpured panel of altar tomb depicting iconic "Lily Crucifixion", of which there are only two other stone sculptures in the UK.
A richly coloured memorial window by Charles Eamer Kempe fills the east wall of the south chapel.
Centre light: The Risen Christ, crowned and bearing the banner of the Resurrection, stands in triumph. Below, St Anne with the Virgin emphasises lineage and devotion, anchoring the Resurrection theme in holy kinship.
Left-hand light: St Thomas ⓘ, holding a spear, identified by his traditional attribute.
Right-hand light: St George, the soldier-saint, likewise armed, balancing the composition with martial sanctity.
Monument by Richard Westmacott Jr ⓘ to Robert (d1844) and Sophia (d1849) Otway Cave.